Tran is an earthen wine decanter of kettle form, made of strips of cane material, having one spout on it. Having a close weave with geometric designs, Tran has the capacity to hold liquids well. Being utilised by Tiwa people in serving country liquor during festivities, Tran is useful as well as an art object exhibiting the sophisticated craft of Tiwa artisans. Its presence in societal assemblies represents hospitality and such long-held traditions of shared festivities, strengthening its role in tribal history.

Rangdon, an extremely coiled cane bowl, is adroitly bound on all six sides with strips of cane. It is then supported on a small stand using a Tamang community for serving food. Its coiled technique and strong binding promises the longevity of the object not only as a bowl but also an artistic statement reflecting the skill of Tamang artisans in cane. Because of this, it is an essential entity, combining function with an artistic aesthetic and embodies what is durable and natural in household objects. It signifies sustainable practices of the tribe that has preserved indigenous craftsmanship.

Quibata is one of the products which is made by bamboo and cane strips and is finely woven on a stand. Used by the Rabha tribe for offering betel nuts and leaves, it bears some cultural and social significance. The very fine craftsmanship and symmetrical weaving speak for the artisans' skill level in bamboo workmanship. As an offering vessel, Quibata finds place among the offerings to hospitality and traditional rituals, thus emphasizing the cultural significance of betel nut in Rabha society and at the same time show appreciation for fine handicrafts.

Chyema is basically a fiber mat formed by gathering plant fibers from the center outwards. It is a mat for sitting or plucking for Tamang people during mealtime only to make it more comfortable while still holding on to culture by which they share their dining. The pattern of complex inter-knitting ensures durability as well as keeps a legacy of craftsmanship that is sustainable. Furthermore, the Chyema is more than just an item of a household as here it is also a bearer of cultural identity as it now promotes social cohesion and sharing during mealtime. The Chyema, made homely by human, still links one to the past because it is a sustainable form of livelihood.

Phalhla, a hexagonal balance tray made of split bamboo, held together with ton thread and a measuring wooden rod, traditionally used by the Bodo Kachari tribe for weighing goods; such implements display precision and ingenuity in handling traditional trade. Its symmetrical weaving represents accuracy and strength in construction. Phalhla reflects the sophistication and simplicity of trade, preserving craftsmanship of measuring tools and showcasing historical importance of trade in tribal economies.