Submitted by Deepanshu Saini on
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The Brass Figure with Headgear and Dao is an astounding representation of the warrior culture of the Konyak Naga tribe, remarkably made of brass. The statue has a tribesman in the upright position posing in battle-ready attire with the right hand holding a dao. The dao has always been a handy tool in both warfare and daily chores. The stance indicates power, readiness, and a demeanor that typically epitomizes the martial tradition of the Konyaks. The designing of the dao is sufficiently accentuated, symbolizing a link between the warrior with his physical and spiritual might.
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Brass Statue with Headgear and Dao
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Brass Statue with Headgear and Dao
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A brass sculpture of a Konyak Naga tribesman
description
The Brass Figure with Headgear and Dao is an astounding representation of the warrior culture of the Konyak Naga tribe, remarkably made of brass. The statue has a tribesman in the upright position posing in battle-ready attire with the right hand holding a dao. The dao has always been a handy tool in both warfare and daily chores. The stance indicates power, readiness, and a demeanor that typically epitomizes the martial tradition of the Konyaks. The designing of the dao is sufficiently accentuated, symbolizing a link between the warrior with his physical and spiritual might.
The headgear emphasizes the tribal configuration that further connects warfare and protection; it is also one of the most iconic elements of the warrior’s identity. The eyes, nose, ears, and ear ornaments–everything is carved with detailed precision to reveal how the Konyak carried forward this wonderful art form of depicting lifelike features. The ear ornaments acquire special significance in Konyak tribal dressing as markers of individual and group identity The sculpture is adorned with a flat pedestal base to offer stability, ensuring that the upright figure maintains an imposing aura. This work narrates the vast Konyak Naga heritage, commemorating the spirit of the warrior and honoring craft through traditional practice. It is no mere sculpture rather, it is an accent in representing the values and history of the tribal ethnicity entrenched deep within their culture.
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