An elongated shape of the cane helmet presents an interesting specimen of the Naga traditional tribal headgear, carefully made from cane strips that are loosely but finely woven. Born with the deep-rooted craftsmanship, it tells the story of the Naga tribe and their relationship with nature, working wonders with organic materials.
The helmet is adorned with two fringes of dried grass, which seem to add to its aesthetic appeal as much as they add to its symbolism—representing animal motifs, the force of ritual, or the identity of a community. The structure is reinforced by two tightened cane strips along the rim, imparting the durability and strength of the piece. Doh! Two more cane strips circle the top, making the overhead cross-brace that connects opposites of the rim to stabilize its structure and complete the form and function. Such helmets serve not only to shield the soul but also to act as symbols of pride, status, and cultural identity when displayed in tribal festivals, during warrior dances, or community rituals. It implies an interesting blend between functionality and tribal artistic conception.