The wooden carving personifies a warrior of the Konyak Naga tribe, which was notorious for headhunting according to traditions. The figure bears black tattoos symbolizing the warrior's feats and rank. Goat hair is glued to the scalp so as to take on the appearance of actual hair and enhance the lifelike effect of the effigy.

This type of effigy was believed to be worn and/or put on display by Konyak warriors who had taken the head of an enemy as testimony of valor and symbols for initiation into the fullness of manhood. It was believed that taking heads gave power over fertility, wealth, and spiritual welfare. Hence, the effigy would be an honor for the bearer but a communal honor for the strength and welfare of the village. The tattoo patterns on the sculpture are representative of classical Konyak designs, obtained through an exemplary deed. Tattooing was an elaborate process, and the tattoos were considered sacred, believed to be honored even in the afterlife. Goat hair and intricate carvings show the high level of artistry achieved by the tribe and the cultural importance the tribe has attributed to such forms.