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The Jhumanglu is a traditional brass earring worn by the Bonda tribe, a community that is ancient-rich in cultures found in the isolated highlands of the Malkangiri district, Odisha, India. Bonda women are known for their traditional ornaments and customs; they take pride in their jewellery, and the Jhumanglu is, indeed, the most elaborate beading in their collection. Made from brass, the Jhumanglu consists of two parts: a circular ring and seven chains hanging from it. Each chain is also fragile and holds four small interlocking rings, enhancing the overall texture and complexity of this design. When worn, these wings run up and down lightly, producing a smooth jingling without hindering the aesthetic and audio presence of the jewellery.
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The Jhumanglu is a traditional brass earring worn by the Bonda tribe, a community that is ancient-rich in cultures found in the isolated highlands of the Malkangiri district, Odisha, India. Bonda women are known for their traditional ornaments and customs; they take pride in their jewellery, and the Jhumanglu is, indeed, the most elaborate beading in their collection. Made from brass, the Jhumanglu consists of two parts: a circular ring and seven chains hanging from it. Each chain is also fragile and holds four small interlocking rings, enhancing the overall texture and complexity of this design. When worn, these wings run up and down lightly, producing a smooth jingling without hindering the aesthetic and audio presence of the jewellery.
Jhumanglu is more than just ornamental. It bears witness to one's cultural identity, tribal membership, and the traditional skills of generation. The essence of the design—symmetry and repetition—reflects both the Bonda's regard for balance and harmony as well as their proficiency in the practice of metalwork with rudimentary tools and materials obtained locally. Jhumanglu is commonly worn by women on the occasions of festivals, rituals, and public meetings. In other words, it constitutes one of the pieces of traditional attire of a Bonda woman. Such decoration is very important nowadays in an increasingly modernized world, and so it preserves the indigenous legacy as well as the understanding of the artistic legacy of tribal India.
Jhumanglu is more than just ornamental. It bears witness to one's cultural identity, tribal membership, and the traditional skills of generation. The essence of the design—symmetry and repetition—reflects both the Bonda's regard for balance and harmony as well as their proficiency in the practice of metalwork with rudimentary tools and materials obtained locally. Jhumanglu is commonly worn by women on the occasions of festivals, rituals, and public meetings. In other words, it constitutes one of the pieces of traditional attire of a Bonda woman. Such decoration is very important nowadays in an increasingly modernized world, and so it preserves the indigenous legacy as well as the understanding of the artistic legacy of tribal India.
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