The stag figure, made by the Gunsur Malias tribe using lost wax metalworking, symbolically and artistically connects the functional and the aesthetic. The product Indicates new developments of the tribe in brass metalworking in the identity of animal imagery collated with functional design. The stag is shown standing poised on two bowed twigs and leaves the impression of flow and balance. There is fine engraving done on the upper side of the body, showing the skill of the artisan in the detailing. In contrast, the lower side is left simple making a sharp contrast which adds to the beauty of the piece. The two closed, twisted horns with spiral ornamentation are shared symbols of strength, pride, and natural energy. The short tail is proportionately and decently complementary to the form of the animal.
It is in function that the real distinction lies: the body is cut across in two and connected by two hinges at the middle section. In that manner, the well-conceived construction turns the sculpture into a box, which may then be used for storing things like small valuables or ritual articles. In this sense, this design embodies the utilitarian characteristic of tribal art: beauty often walks hand in hand with function. This stag figure recalls to the Gunsur Malias tribe the excellence in combining traditions, nature, and innovations. His part of presentation is not merely an artistic rendering of an animal noted for grace and nobility; it allows one to serve as a practical object with cultural and symbolic meaning.