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Comes from the Singpho tribe of Arunachal Pradesh -the Buddha Wooden Sculpture, which is an important take from Buddhist art forms. It depicts a seated Buddha in Bhumi-Sparsha Mudra- a symbolic hand gesture denoting the moment of enlightenment when Buddha called upon the earth as witness. Hence carved by traditional means; this sculpture indeed speaks of the skill and devotion of the Singpho people.
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Comes from the Singpho tribe of Arunachal Pradesh -the Buddha Wooden Sculpture, which is an important take from Buddhist art forms. It depicts a seated Buddha in Bhumi-Sparsha Mudra- a symbolic hand gesture denoting the moment of enlightenment when Buddha called upon the earth as witness. Hence carved by traditional means; this sculpture indeed speaks of the skill and devotion of the Singpho people.
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With respect to Buddhist iconography, this mudra is referred to as the Bhumi-Sparsha Mudra, or the dispersing earth gesture, for it is one of the most famous among mudras. The Buddha sits cross-legged, with the palm of the right hand facing downwards to the ground and the left hand resting in the lap. This gesture indicates that reality is achieved beyond worldly desire and temptation. The Singpho craftsmen sculpted these images from the native woods, teak and sandal, which withstand the test of time and allow detailed carving.
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These wooden sculptures are often set in monasteries, meditation halls, and personal altars as objects of devotion and spiritual reflection. The Singpho tribe, which has adhered to Theravāda Buddhism very closely, has preserved this art for generations, merging artistic beauty with religious significance. Carrying off woodcarving traditions, the Singpho breathe along their cultural and spiritual survival so that the legacy of worship and artistry would be continued for posterity.
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