The dignity and sophistication of Buddhist arts are expressed. The sculpture, finely carved, depicts a seated Buddha in the pose of Dharma-Chakra Mudra, representing the teaching of the first sermon given at Sarnath. The very spirit of devotion and perfection of craftsmanship is characteristic of the ancient carving tradition of the Singpho people.

Singpho wooden sculptures are revered objects in monasteries, meditation halls, or personal shrines. Their craftsmanship reflects Tibetan-Burmese artistic influences, therefore shedding light on the close relationship of the tribe with Theravāda and Mahayana Buddhist faiths. Singpho art is distinguished from others by its detail and imprints of deep importance that transform them from mere icons of religious purpose into objects of cultural salience. With such artefacts, the Singpho tribe asserts its commitment to an art and faith whose elements are much blended so that the Buddhist traditions continue to exist for generations to come.