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This special headband is part of the traditional ornamentation of the Phom Naga tribe of Nagaland, known for its expressive cultural practices and craftsmanship. The Phoms, like other Naga tribes, adorn themselves with natural materials symbolizing social identity, status, and ceremonial intent. It is a simple flexible band carved out of bamboo. Bamboo, in fact, has very much been the material accompanying everyday life and craft traditions in the region ever since. In the middle of the band is fitted in a thin slab of brass-plating, engraved on both sides with elaborate, traditional designs. These engravings must be considered significant, generally associated with tribal language or pertaining to nature or to a warrior's achievements
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This special headband is part of the traditional ornamentation of the Phom Naga tribe of Nagaland, known for its expressive cultural practices and craftsmanship. The Phoms, like other Naga tribes, adorn themselves with natural materials symbolizing social identity, status, and ceremonial intent. It is a simple flexible band carved out of bamboo. Bamboo, in fact, has very much been the material accompanying everyday life and craft traditions in the region ever since. In the middle of the band is fitted in a thin slab of brass-plating, engraved on both sides with elaborate, traditional designs. These engravings must be considered significant, generally associated with tribal language or pertaining to nature or to a warrior's achievements.
The ends of the headband are finished artistically in tightly woven cane strips, with orchid skin ornamentation on the outside for added durability and aesthetic decor. The association of brass, bamboo, cane, and orchid embodies a profound interaction of the Phom people with their natural environment and their ability to mold it into aesthetic and identity expressions. At present, this headband, which finds its place within the precincts of the Indian Museum, Kolkata, represents the unique artistry of the Phom tribe and their contribution to the cultural mosaic of Nagaland. A piece of ornamental heritage, it speaks also of pride, tradition, and skillful workmanship.
The ends of the headband are finished artistically in tightly woven cane strips, with orchid skin ornamentation on the outside for added durability and aesthetic decor. The association of brass, bamboo, cane, and orchid embodies a profound interaction of the Phom people with their natural environment and their ability to mold it into aesthetic and identity expressions. At present, this headband, which finds its place within the precincts of the Indian Museum, Kolkata, represents the unique artistry of the Phom tribe and their contribution to the cultural mosaic of Nagaland. A piece of ornamental heritage, it speaks also of pride, tradition, and skillful workmanship.
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