The face mould of Kishori has the deep-throughed beauty within remembrance and cultural identity among the Pahari tribe, as it uses physical form in its being. Here, from Jammu in the Himalayan region of India, comes the woman Kishori, whose face is oval-hideous in metal while mapping out her facial features with fair grace. The whole construction has both the face and the frame surrounding it cast together as one unified thing-and the cast reflects both the artisan's techniques and, culturally, the intention to present the person and memory whole-that it be thought inseparable. Most hill countries of Jammu, Himachal Pradesh, and Uttarakhand Pahari. Their way of life and culture has kept them distinct from the rest of the Indians as they have a rich cultural inheritance and very deep-rooted traditions.
Jammu is divided into various subgroups of Paharis sharing common bonds of language and culture. Art and craft, especially metalworks, textiles, and domestic shrines, articulate community and continuity in their representation. Moulds such as this, then, might have been used in commemoration or worship-potentially installed inside the house to honor memory from powerful women-respectable avatars such as Kishori. The notions of casting in his craft and the attention to detail in the face adhere to honoring people through art-form permanence in the community. More than a visible presence, the object stands as a testament to the personal tale of Kishori and collective cultural memory of the Pahari tribe within the Jammu Himalayas.