Submitted by Anuj Chauhan on
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Gunsur Malias, a tribal community mostly found in Odisha, wears Karapuya, a traditional brass nose-ring. The ring itself may be simple, but its very cultural task is to lend identity, femininity, and tradition upon the tribal women who wear it. Made from brass, the ornament reflects the community's preference toward the use of durable and natural materials. Brass, not only available and long-lasting, also lends itself to an aesthetic appeal—its warm golden color goes very well with the traditional tribal attire. The Karapuya is mostly in the shape of a circle or a semi-circle, though the exact design might slightly differ depending on the age and preference of the wearer.
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Karapuya: Brass Nose Ring
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Karapuya: Brass Nose Ring
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Tribal Brass Nose-ring
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Gunsur Malias, a tribal community mostly found in Odisha, wears Karapuya, a traditional brass nose-ring. The ring itself may be simple, but its very cultural task is to lend identity, femininity, and tradition upon the tribal women who wear it. Made from brass, the ornament reflects the community's preference toward the use of durable and natural materials. Brass, not only available and long-lasting, also lends itself to an aesthetic appeal—its warm golden color goes very well with the traditional tribal attire. The Karapuya is mostly in the shape of a circle or a semi-circle, though the exact design might slightly differ depending on the age and preference of the wearer.
The ornament is one that goes through the nostril; unlike any other decorative piece, it holds significance as well. In tribal culture, nose rings are an indication of marital status, social family, and ethnic heritage. In the Gunsur Malias culture, it signifies endurance and continuity. The Karapuya thus often becomes a family heirloom, handed down from generation to generation during major life events like marriage. The Karapuya is simple in form but finds more pretentious expression in the socio-cultural weave of the tribe. It truly balances utility, beauty, and tradition, pointing to how even the most minimal ornamentation in tribal existence conveys diverse meanings.
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