Submitted by Anuj Chauhan on
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Traditionally fashioned jewellery from the Chunia Kenedy Malias tribe in Odisha is steeped in culture, practicality, and beauty. Their brass bangles are one such ornament that symbolizes tribal culture lady chiefly used in daily life and during ceremonies. The circular bangle is made of brass, selected for its strength, cost-effectiveness, and similarity in looks to gold. The inner surface is plain so that the wearer feels comfortable, while the two ends are separated by a tiny gap to allow easier wear.
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Heritage in Metal
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Heritage in Metal
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Traditionally fashioned jewellery from the Chunia Kenedy Malias tribe in Odisha is steeped in culture, practicality, and beauty. Their brass bangles are one such ornament that symbolizes tribal culture lady chiefly used in daily life and during ceremonies. The circular bangle is made of brass, selected for its strength, cost-effectiveness, and similarity in looks to gold. The inner surface is plain so that the wearer feels comfortable, while the two ends are separated by a tiny gap to allow easier wear.
The outer surface is mostly plain; however, it has been embellished. The area near the opening is decorated with a beading design for texture and some drama. Next to this design are two pointed projections imparting a tribal look to the bangle and carrying a possibly meaningful association that may pertain to protection or power. A medial ridge runs along the bangle's surface, sloping downwards on either side, serving both to provide the piece with depth and contour and to reflect the sculpting prowess of the Chunia Kenedy Malias tradition of metal artisans, prized still today for their beautiful and symbolic jewellery. The brass bangle acts as a symbol of identity, an heirloom for women handed down through generations that evoke pride.
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