Submitted by Deepanshu Saini on
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This original, sleeveless overcoat embodies the typical cultural identity of the Mikir tribe, an indigenous community found largely in Karbi Anglong district, Assam, India. The Mikir or Karbi have their own language, customs, and types of attires as they are culturally and politically called. They are fond of their textiles, describing their lifestyle and aesthetic sense that developed over centuries.The coat is striped with maroon-and-off white cotton and was dyed with the naturally used colors in Mikir textile dyeing. It has long cotton fringes in colors matching the stripes, which form an elegant as well as rhythmic movement while wearing it. The embroidered designs just above neck side of both sides show needle work prowess of one's own community.
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Cane Belt of Konyak Naga Tribe
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Cane Belt of Konyak Naga Tribe
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Strips of cane
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This original, sleeveless overcoat embodies the typical cultural identity of the Mikir tribe, an indigenous community found largely in Karbi Anglong district, Assam, India. The Mikir or Karbi have their own language, customs, and types of attires as they are culturally and politically called. They are fond of their textiles, describing their lifestyle and aesthetic sense that developed over centuries.The coat is striped with maroon-and-off white cotton and was dyed with the naturally used colors in Mikir textile dyeing. It has long cotton fringes in colors matching the stripes, which form an elegant as well as rhythmic movement while wearing it. The embroidered designs just above neck side of both sides show needle work prowess of one's own community.
Though it is still stitched joining two pieces of hand-weaved fabrics, the neck and armholes are left completely opened for functional purposes as well as decorative ones during ceremonials or festive occasions. They exclusively wear these kinds of coats for men during traditional festivals, through rituals, or even dances. A coat is not a mere article of clothing; rather, it is a social identifier and an expression of pride for tribal heritage.Minimalist and the just, the design speaks of the Mikir as people close to nature, society, and craftsmanship. Such garments record the continuance of indigenous technique from generation to generation.
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