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This archaic armlet is a very good representation of Konyak Naga metalwork from Nagaland, India. This armlet is cast in pure brass, the metal which has much of the Konyak tradition for making ornaments, owing to its inherent strength, durability, and beauty. The shape of the armlet is unique, in that both ends of the curve are arched beautifully, where engravings of various other motifs add their grace. These motifs are very often naturalistic and show leaves, a vine, or waves—the imagery most relevant to the connection of this tribe with nature and its surrounding environment. The middle part of the armlet looks rather plain, providing therefore a pleasant contrast to both the elaborate and laced portions of the armlet.
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This archaic armlet is a very good representation of Konyak Naga metalwork from Nagaland, India. This armlet is cast in pure brass, the metal which has much of the Konyak tradition for making ornaments, owing to its inherent strength, durability, and beauty. The shape of the armlet is unique, in that both ends of the curve are arched beautifully, where engravings of various other motifs add their grace. These motifs are very often naturalistic and show leaves, a vine, or waves—the imagery most relevant to the connection of this tribe with nature and its surrounding environment. The middle part of the armlet looks rather plain, providing therefore a pleasant contrast to both the elaborate and laced portions of the armlet.
Somehow, the craftmanship of this armlet is emphasized and perfected by a very significant ridge that runs down the middle of the outer surface from one end to the other. This ridge serves two purposes too: it looks good on the rounded arms, and it also supports the outer structure. Such armlets would be worn at festive times and around people. They were much more than ornaments-they carried in themselves the weight of social status, personal achievement, and tribal identity. For Konyaks, ornaments have always meant a lot in personal pride, cultural sustainability, and wellness to the community. In fact, at present, such ornaments are functional in cultural terms but also, most importantly, as tangible living heritage from the peoples of Naga.
Somehow, the craftmanship of this armlet is emphasized and perfected by a very significant ridge that runs down the middle of the outer surface from one end to the other. This ridge serves two purposes too: it looks good on the rounded arms, and it also supports the outer structure. Such armlets would be worn at festive times and around people. They were much more than ornaments-they carried in themselves the weight of social status, personal achievement, and tribal identity. For Konyaks, ornaments have always meant a lot in personal pride, cultural sustainability, and wellness to the community. In fact, at present, such ornaments are functional in cultural terms but also, most importantly, as tangible living heritage from the peoples of Naga.
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